It was just over a year ago that I read Rosson’s Fever House. I really enjoyed that novel and the way it reformatted the familiar zombie apocalypse trope.
I’m sad to report however that volume 2 of the duology is less satisfying. The Devil by Name mostly moves characters around in order to get them in the right place at the right time for the climax. And the climax is sort of Clive Barker rewriting The Stand. Lots of gothic horror and special effects, but a bit rote and too tidy a means of tying up multiple loose ends.
If you read the Game of Thrones novels, you may recall that the fifth novel felt as though Mr. Martin had lost the plot, and was sort of moving an enormous cast of characters around aimlessly as he tried to figure out how to resolve the enormous series of events he’d unfolded, while introducing new characters, cultures, and armies along the way. I think a lack of resolution is in some cases better, and Fever House could have stood alone.
That said, I will read more of Keith Rosson. He’s got skills, and won the Shirley Jackson award for a short fiction collection which sounds right up my alley.
Back before Halloween I bumped into a list of recommended recent horror–probably on the NYTimes website. Of the 7 or 8 titles listed I chose a couple to add to my To Read pile.
The first I read from the list was barely OK. Too derivative of a Stephen King novel, and too many clichés from current horror movies (unnatural smiling, kids crawling on the ceiling, animals behaving strangely like humans–yawn). The writing lacked King’s folksy warmth and humor as well, and was more like Tom Clancy’s stiff and uninteresting prose. The characters were not atypical of genre fiction–types rather than people, and the dialogue reminded me of the old Superfriends cartoons popular when I was a kid, where the superheroes would explain what they were doing while doing it as if the audience were too stupid to see what was happening (example: Aquaman would have circles shooting out of his forehead and would intone “I’m using my powers to summon fish friends,” and Superman would have red beams coming out of his eyes while saying “I’m using my infrared heat vision to burn the villain’s shoes off.”). I read Mean Spirited on a flight from Paris to the US and it whiled away the time, but I prefer more profound fare. The ending had an unexpected twist which nearly made it worth getting through.
But the second I read from the list was a knock-out. I’ve seen many zombie films, and have been an enthusiastic fan of the genre since I fist saw Romero’s initial trilogy back in the day. What I like about zombie stuff is how the genre moved from its racist origins to really incisive and often quite witty social commentary.
Fever House is the first zombie novel I’ve read–and it is excellent. There are actual fleshed-out and fully developed human beings involved, and I was on the edge of my seat as the familiar tropes of the zombie apocalypse were delivered with a new and clever backstory. I’d love to go into detail about the novel’s critiques of the hypercapitalist USA and its intelligence apparatus and the military industrial complex, but inevitably I would spoil the experience of finding out for yourself.
Rosson can write–which is atypical of authors in modern horror. Ramsey Campbell is by far the most literary and stylish current writer in the genre, but Rosson can craft sentences and structure a novel at an exceptionally high level. This book is a Slayer album redone as literary fiction. I burned through it in a day and half, and now must give myself a break from the walking dead before jumping into the second volume of the duology.
Mysterium Coniunctionis 